How to Make Natural Body-Care Products?

How to Make Natural Body-Care Products?

This article offers a short introduction to how to make natural homemade cosmetics.

Homemade natural cosmetics are a real treat and easy to make

I don’t know about you, but I always like to give at least some homemade gifts at Christmas, so right around now, I start to scratch my head, wondering what to make.

There are plenty of items that are always well-received: jam, syrups, and pickles among them. But I am a bit more ambitious than that. I look for something a bit more special. Homemade body-care products make great gifts that can easily be personalized, and many are straightforward to make without the need for complicated procedures or ingredients.

The best natural cosmetics are homemade using high-quality vegetable oils and butter such as coconut, avocado or almond oil. These can be combined with organic flower waters (hydrosols) and essential oils to make nourishing lotions and crèmes.

Since many natural oils are rich in unsaturated essential fatty acids, it is generally a good idea to make smaller batches to prevent spoilage. What’s so great about natural cosmetics is that you can tailor-make them to specific needs, and there is such a variety of products you can make. Therefore, before you start, consider what kind of product you want to make and what properties it should have.

Emulsifying agents

Lotions and crèmes aim to nourish and moisturize the skin, or even to heal or repair skin damage. They usually consist of an oily and a watery component, such as a hydrosol or tincture. But since water and oil do not mix well
an emulsifying agent is needed to blend them.

Just like oils, emulsifiers also have different properties, and one can’t simply be substituted for another.

Most emulsifying substances are the product of complicated chemical processing, even if they derive from natural materials.

In the past, spermaceti, a substance produced in the heads of whales, was the most common natural emulsifier. Thankfully, nowadays, there are non-animal source alternatives.

Pick your ingredients according to your specific nutritional or therapeutic requirements (see the previous article about oils).
Some oils are ‘drying’ while others are moisturizing. Combining these with humectants such as vegetable glycerine or aloe Vera gel changes the consistency and skin-care benefits. The trick, when blending crèmes, is to combine them slowly have all ingredients at a similar temperature to avoid curdling. If you have ever made mayonnaise from scratch, you have a good idea of what it takes to make a lotion or crème.
Apart from the emulsifying wax, which blends the watery and oily components, you may also need a stabilizer, such as stearic acid. These are added in tiny quantities to stabilize your crème’s consistency. However, use sparingly, or your crème will become chalky instead of smooth.

If you don’t want to mess with oils and waxes, there are now ready-made base crèmes on the market. These generic crème bases can be enhanced by adding special ingredients such as essential oils, infused oils or Aloe Vera gel. However, they can only absorb a few additional ingredients, before they become unstable, so experiment carefully. The quality of such crème bases varies widely, and most contain preservatives or alcohol to increase their shelf-life. However, these chemicals are not that great for the skin, so read the ingredients label carefully, and do your research. Making your own is definitely preferable and will be of much higher quality. For personal use, making small batches is much the best strategy, as you don’t have to worry too much about the shelf-life.

Recipes:

I’d like to share my favourite body butter recipe with you. It is so easy to make and very adaptable to your needs.

body butter

Ingredients:

 

  • 100g Shea butter
  • 100g Coconut butter
  • 100g Cocoa butter
  • 100 ml Almond oil

Method:

In a double boiler, melt all the hard ingredients and add the Almond oil at the end. Stir well and let it cool down. This takes a while. Once it starts to set, whip with an electric blender to make it fluffy and creamy. Allow to cool some more and then whip it again. When the consistency is to your liking, fill it in your prepared (sterilized) jars with the help of a spatula.

 

This is quite a dry, yet very soothing body butter that is generally well tolerated. It is very easily and quickly absorbed by the skin. If you like it a bit richer, you

can adjust the oil or the butter. Cocoa butter and shea butter are great because they stabilize this blend. Coconut oil by itself would be less useful as the melting point is too low, and the butter would only stay solid if kept in a cool or cold place. 

You can add a few drops of essential oil in at the end but research the oil first to make sure it is not allergenic or irritating to the skin. Also, keep the percentage of essential oil well low (1-3%)

For an additional therapeutic benefit, add in a small amount of nutritive oil, such as Evening Primrose, Hemp, or Borage Seed oil. (10% of the total amount). 

Instead of the plain base oil, you can also use infused oils, such as Calendula, or St. John’s Wort oil for their extra healing qualities. 

 

bath salts

Bath Salts

The cheapest and easiest bath salts are coarse salts, such as Epsom or Sea Salt. Crush to a grainy size (dissolves easier) and add a few drops of a gentle essential oil, such as rose, lavender or Jasmine. Stir and blend well, fill in a jar and let it macerate for a few days. Some people like to add food colouring to make it look more like commercial bath salts, but this is purely for looks. If you don’t mind ‘bits’ floating in your bathtub, you can add a handful of fresh fragrant rose petals or lavender flowers to the salt blend. The salt will dehydrate them and absorb their scent. 

 

Bath Oil

Soaking in water for any length of time dehydrates the skin. Normally, the skin’s natural oil secretions prevent it from drying out, but frequent bathing washes our natural protective layer off. Body butter or simple oil application (almond or apricot oil) replenish the natural skin oils. But better still, use bath oil instead of commercial detergent. Almond or light coconut oil are good choices. Add some drops of essential oil for a beautiful scent (make sure they are not toxic or irritant and don’t overdo it). Add a small amount of Turkey Red Oil, to facilitate the dispersion.

If you don’t like the greasiness of bath oils, but still want to use essential oils in your bath, use plain milk, buttermilk, or cream as a dispersing agent for your essential oils. A tiny blob of honey mixed in is also very pleasant and softens the skin.

Gardening Jobs in November

Gardening Jobs in November

What gardening jobs are there to do in November?

By the beginning of November, the gardening season is coming to a close. The leaves are coming off the trees, flowers have long gone, and everything seems to be going into hibernation.

But that does not mean that there is nothing left to do in the garden!

 

Planting

Late fall is the time to plant bulbs for spring flowers. You will be delighted when the first dots of colour appear in the spring, and the bees will love you for a welcome source of nectar early in the year. It is also time to plant perennials, shrubs and naked-root fruit trees.

 

Sowing

As for veggies, it’s now or never for planting garlic, shallots, and onion sets, before it gets too cold.

You can also still sow some hardy crops, but make sure to select winter-hardy varieties!

Of course, your climate zone determines what you can grow. So, check your growing zone, and use your own judgement – you know your micro-climate best!

In growing zone 7/8, likely candidates are salad greens, Asian mustards, and maybe even radishes.

Broad beans and peas, as well as hardy spring onions, are also good contenders.

The most impatient gardeners even start sowing certain long season crops like chillies at this time. But, that is only recommended if you have the space on a warm windowsill or in a frost-free greenhouse.

If you are not growing anything during the winter, treat your empty beds to a crop of green manure. These can be cut and dug under in the spring, to replenish the nutrients in the soil.

Harvest

If you have followed a well-spaced growing plan, you will still have fresh vegetables to harvest. Cauliflower, Brussels sprouts, cabbage, celeriac and carrots are still in season. Leek and kale will soon be ready.

Don’t forget to cover the Brassicas to protect them from hungry mice and birds!

 

Tidying up

Traditionally, gardeners get their scissors out and start snipping off the dead foliage and wilted bloom once summer is over. But, if you value the wildlife in your garden, don’t do it! This apparently dead foliage is where the caterpillars attach themselves and spin themselves into a chrysalis to over-winter and transform into butterflies.

And, some of those dead stalks still have a cache of seeds that the birds will appreciate.

But, do rake up the leaves and compost them, or use them as mulch on your beds. They provide excellent nutrients to nourish your plants next year.

 

Cutting back

Cut the dead canes of autumn fruiting raspberries and dead or old branches of black currents and similar berry bushes.

 

Grafting

If you have trees that need grafting, now is the time to take hardwood cuttings so you can graft the trees early in the coming season. The cuttings must be over-wintered in a cool, dark place (fridge or cold basement) to keep the buds dormant until you are ready to use them.

 

Wildlife

It is now getting more difficult for the animals to find enough food to get them through the winter – especially for the birds. Fill your feeders with seeds and nuts or, make some fat-based seed cake

And, don’t forget, birds and hedgehogs that are not yet hibernating also still require fresh, clean water.

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Gardening Jobs in July

Gardening Jobs in July

What gardening jobs are there to do in July?

This is the time of the year that every gardener is waiting for! The garden is in its prime. Everything is growing, flowering and fruiting. It is a sheer joy to be out there, enjoying nature’s bounty.

July is a time of plenty. Early crops are beginning to ripen, and you can enjoy the fruits of your labour. But it is also a time to think ahead to the dark season and the crops you’d like to harvest then – they need to be sown and started now. There are plenty of gardening jobs to be done in July!

 

HARVEST:

Continue to harvest lettuce and radishes as well as beets, peas and courgettes. If you have long-season or perpetual raspberries and strawberries, they are still fruiting now. As are cherries!

Onions and garlic are beginning to topple over, which is the sign that they are getting ready, but wait until the onion tops turn yellow before lifting them. Then, either leave them on the ground or, better, spread them in a well-aerated box or basket to dry them well.

Early runner beans and potatoes are also getting ready.

 

Harvesting herbs

Now is the prime time to harvest herbs. For culinary purposes, it is best to pick herbs before they begin to flower. Choose a dry, sunny day. Spread them out in a well-aerated place. Hanging them up in bunches actually encourages mould. Herbs often have a high content of volatile oil, which quickly ‘fly off’ in hot temperatures. Thus, it is best to dry them in the shade.

 

SOWING (for late season/winter harvest):

Now is the time to sow winter cabbages, kohlrabi and kale, mustards, and pak choi. If you have carrot seeds of late varieties, sow them now.

If you have a shady spot, you can continue to sow lettuce, chard, endive, chicory, chervil, radishes, coriander, as well as rocket and spinach. Keep them well watered and not in full sun to prevent them from bolting too quickly.

 

TOMATO CARE

Tomatoes need a lot of water. Keep the moisture in the soil by spreading a thick layer of mulch around the base of the plants. If they don’t get enough water, the skins turn harder and will crack as the fruit develops. The best time to water is in the evening or early morning. Avoid splashing water directly on the leaves.

You can give your plants a little boost by putting some compost around the base. Or, use liquid manure, such as nettle manure, or some other organic tomato feed that you might find at the garden centre.

Watch out for blight and end rot. Remove yellowing leaves. Pinch out any shoots that develop in the leaf axils.

 

WATERING

Water your plants as needed, neither too much nor too little. Container plants are particularly vulnerable to drying out and need the most attention. Mulch well to keep the moisture in the soil.

Check out SeedsNow for your organic gardening supplies!

 

Happy Gardening!

 

Image by Cornell Frühauf from Pixabay

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Permaculture – Paradigm Shift for a Sustainable Way of Life

Permaculture – Paradigm Shift for a Sustainable Way of Life

It is easy to get down on the way things are going in the world – climate change is no longer a fringe topic, yet any plans to address it fall far short of what would be needed to halt it. Growing levels of pollution, consumer goods designed for the landfill, destruction of habitats and ecosystems all contribute to our demise.

It is easy to give up and resign oneself to the ‘that’s just the way it is,’ mentality while burying one’s head deeply in the sand. One person alone can’t do much anyway, so why bother worrying about anything, right?

Wrong! It doesn’t have to be that way. And right now, as we are beginning to see the light again at the end of the tunnel, we have a unique chance to do things differently. One thing many of us have learnt to appreciate over the past year or so is the importance of nature when all the entrapments of our postmodern lifestyles begin to crumble.

Paradigm shift

Things are changing, quietly and persistently. People are looking for a quieter, more sustainable way of life and the idea is spreading, sprouting at the grass-roots level, from one community to the next.

It has been said that the next revolution will be fought in our gardens, and I am beginning to see it that way, too. It will be fought with peas and love – a non-violent, lifestyle revolution called ‘Permaculture’, a growing movement, not just across the country, but across the entire globe.

You may have heard of it. Sometimes referred to as the ‘no-dig system of gardening’, many conventional growers, and even organic growers, dismiss it as a naive and impractical way to feed the multitudes around the world. And, perhaps that would be true if the aim was to swap industrial farms for permaculture farms while continuing with ‘business as usual’ with our economic system.

But that is an illusion. Industrial farming is on the brink of collapse – its ‘paradigm’ based on ‘war against nature’ and ‘war against insects’, its soils are depleted and ecosystems have been degraded, just to maximize short-term profits. To that end, GMO seeds are engineered to withstand being doused with toxic chemicals. The result is predictable: resistant ‘competitors’ – so-called superweeds and insects from hell. Has the message got through yet, that we cannot win this war? And that continuing to fight it will mean our certain demise?

paradigm shift

Image by Tumisu from Pixabay

The paradigms of Permaculture, on the other hand, are based on abundance, cooperation, and sharing. Permaculture seeks to restore rather than exploit ecosystems. ‘Thinking globally and acting locally’ – If yields are higher than what is needed, they can be sold on a wider national or international market. But, let’s produce local food for local people.

Presently the marketplace is based on cash crop economics, exploiting disenfranchised communities. Their land is ‘grabbed’ by multinationals and turned into monocultures – like palm oil, coffee, or bananas. Peasants have no land nor time to grow enough food to feed themselves. Instead, they barely survive on the pennies they earn for their labour in this ‘feudal’ system that has its roots in colonial times.

We can’t change the whole world at once, but we can start in our own backyards. We can create cooperative permaculture farms sharing harvests with neighbours and friends, thus reducing reliance on industrial agriculture that brings us products from around the world at an enormous human and environmental cost.

How is Permaculture different from Organic Farms?

Permaculture design is fundamentally different from all types of conventional agriculture – even organic farms. Permaculture seeks to imitate and cooperate with nature. One of the ‘fathers’ of Permaculture, Bill Mollison, grouped its philosophy into three ethical paradigms and 12 principles.

The ethical paradigms speak for themselves:

  • care for the earth,
  • care for people and
  • fair share

The 12 principles of permaculture require a bit more of an explanation:

1. Observe and Interact:

Permaculture aims to work with nature. The gardener observes and tries to understand the processes that are at work in a given habitat, then interacts with these to support some features and maybe discourage or relay others.

2. Catch and Store Energy

Resource management is a crucial aspect of the system – water and compost are crucial resources. By recycling greywater and building catchment areas for rainwater, it can be harvested and retained instead of losing it to run-off.

Likewise, biomass is returned to the soil in the form of compost and mulch. The continuous process of nurturing the soil restores its vitality. Instead of becoming depleted it is invigorated and restored.

3. Obtain a Yield

Permaculture is not intended as an act of ‘self-sacrifice’. We all need to live and our ‘input’ must produce some kind of worthwhile ‘output’. Ideally, our gardens would provide for all our needs, but it is limiting to think of ‘yield’ only in terms of consumable ‘products’. Aesthetics or relaxation can also be a ‘yield’.

4. Apply Self-Regulation and Accept Feedback

In a world of limited resources, we need to strive for balance and ensure that not only our present needs are met, but that the needs of generations yet to come can also be met. And that the ecosystem as a whole (with all its interactions) must be taken into consideration. Permaculture aims to produce abundance for all the species that share a particular space. The effects of our actions take a while to manifest. We should always observe and respond to the ‘feedback’ we are getting and be prepared to change our ways if the effects turn out to be damaging to any part of the system as a whole.

5. Use and Value: Renewable Resources and Services

Nature supplies us with everything we need. Make use of all the resources that are already available, share and trade, upcycle or repurpose things that are already at your disposal instead of buying new stuff.

6. Produce No Waste

As an extension to the 5th principle, consider the impact of everything you buy or produce. Kitchen scraps can be composted – but what about all the plastic? If it can’t be recycled, reused, repaired or repurposed it is ultimately designed for the waste dump and will continue to be a burden on the planet for a long time to come. Aim for zero waste.

7. Design: From Patterns to Details

Before starting to work on a plot, consider the seasons and weather pattern, geological patterns and features. Clever design can save you work. Utilize whatever is available to maximum effect. Focus first on the overall patterns, then fill in the details.

8. Integrate Rather Than Segregate

Nature does not create monocultures – they leave crops vulnerable to pests and diseases. Instead, nature creates eco-systems that thrive in unison. The pests of one plant are the ‘helpers’ of another or food for the birds. The balance is kept in check and neither becomes dominant if the garden is geared towards producing abundance and diversity.

In Permaculture, garden plots are not planted with single varieties, as plant communities composed of various species that can thrive together within the garden ecosystem.

9. Use Small and Slow Solutions

We frequently think that we need ‘big’ solutions to deal with big problems. But often the opposite is true – especially when it comes to gardening. The earth is made up of millions of micro-environments that call for special adaptations rather than a one-size-fits-all solution. Working at a smaller scale also means it is more manageable.

10. Use and Value Diversity

Diversity is a key concept of permaculture. Natural conditions are constantly changing and organisms respond by adaptation. Different species have evolved to thrive in different conditions. We never know what sort of weather we may have during the growing season – and given the effects of climate change, weather extremes have become the norm, rather than the exception. The best way to safeguard food security is to plan for these extremes by planting different varieties of the same species to spread the risk. Depending on actual weather conditions that year, certain varieties will thrive while others won’t. Food security depends on diversity – not on just a few, patented seeds that have been manipulated to resist the chemical weapons of industrial agriculture.

11. Use Edges and Value the Marginal

The margins are the most interesting areas of the garden. This is where different elements can interact and adapt. In nature, marginal environments are often the most diverse. Socially, too, the ‘fringe’ is where new ideas are born.

12. Creatively Use and Respond to Change

Change is the only constant. By anticipating change rather than resisting it, we can use it as an opportunity and adapt to the challenge.

The 12 principles of permaculture apply to small or large scale horticultural projects and even to large scale ecosystem restoration. But permaculture is not only about food. It is ultimately about ecology, which includes human ecology – human/nature interactions. It is about restoring the integrity of the web of life, of which we are but one strand among many.

Resources:

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Banner image by John Hain from Pixabay

Dyeing Easter Eggs – Naturally

Dyeing Easter Eggs – Naturally

How to dye Easter Eggs the natural way

It’s Easter (already!) Every year, I see Easter Eggs dyed in garish colours for sale at the shops. I shudder to think – what is in these dyes? This year, I decided to dye some eggs with natural colours, just for the fun of it.

This is a lovely project to do with kids, but if you want to produce several different colours it is quite a bit of work – not hard work, but time-consuming.

 

What you need

All you need are some eggs and some raw materials to make your dye baths. Use an old pot as some of the materials may stain permanently. Hard boil your eggs in advance. White eggs take on the colour better than brown ones.

  • White eggs, hard-boiled
  • Vinegar
  • An old pot
  • Dye materials:
    Yellow – 20g of dry Turmeric powder, or Yellow Onion Skins
    Orange – 1 cup of grated carrots
    Red – 1 cup of grated fresh beetroots
    Green – Fresh Nettles, or Spinach leaves. Chop finely and use at least 2 cups.
    Blue – 1 cup of grated red cabbage

Dye bath for Easter Eggs

 

Method:

Making the Dye Baths

The procedure is always the same. Take about 1 cup of dye material and 3 cups of water. Simmer for about 15-20minutes, then turn off the heat strain and cool. Add a couple of tablespoons of vinegar, then place your hard-boiled eggs into the dye bath and keep them submerged for about 24 hours.

After 24 hours remove the eggs. You can wash them if you want a cleaner, pastel colour or dry the eggs completely. For a final touch, polish them with a dab of oil to bring out the colour.

Note: Don’t leave the eggs in the dye bath for too long. I tried leaving them in there for two days, thinking that it might make the colour stronger. Maybe it did, a bit. But the eggshells turned soft.

Natural Dyes – The Colours of Nature

Natural Dyes – The Colours of Nature

The art of natural dyeing comprises a huge body of knowledge. Sadly, it has been fading ever since the discovery of tar-based pigments at the beginning of the 19th-Century. Natural dyeing methods and the intricate arts of natural textile design are fast becoming another relic of times gone by.

Unlike birds with their flamboyant feathery attire, human beings are not born with a naturally colourful outfit. The birthday suit varies in tone, but no matter what, it is pretty plain. We have to draw on our own ingenuity and creativity when it comes to designing our apparel.

A true game-changer in our human quest to stand out has been the discovery of how to use the colours of nature to our own advantage. The search for natural dyes is as ancient as it is universal. No matter which culture we examine, all have experimented and explored every conceivable source of pigments in their environment. Everything from shellfish to lichen, not to mention roots, barks, leaves, berries, fungi, and even flower stamens have been explored for their potential as a dye.

Body-paint

Even societies that traditionally pay little attention to clothing still use pigments to paint their bodies. Such body paints are typically obtained from ochre, chalk, and charcoal and usually used on special occasions such as rituals, healing ceremonies, or initiations.

A slightly more elaborate (and more permanent) type of body ornamentation is seen in the art of tattooing. But permanence is not necessarily always desirable. Being able to change design from time to time would certainly be nice. Certain vegetable dyes are used in this way. They last for a few days, at least, but not forever. before long they will wash off, thus leaving the ‘canvas’ clean for new designs. The best-known vegetable dye for temporary designs is Henna (Lawsonia inermis). Body painting with Henna is still widely practised in the Middle East and in Asia. It is an integral part of traditional wedding preparations.

In the West, Henna is mostly used as a popular hair dye, and nowadays also for temporary tattoos. In South America, indigenous people use Achiote (Bixa orellana), and Huito (Genipa americana), as body paint or dye.

Henna tattoo

Colour as code

But colours express more than just artful fancy. Practically all cultures associate certain colours with specific meanings. Colour is an essential key to the mysteries, which can unlock the significance of a whole complex of symbols. For example, the four directions are universally colour-coded, although different from one culture to the next. The colour encodes a whole network of associations – e.g. the East is the direction of the rising sun, of new beginnings, of birth etc. and its colour is often yellow, or white. The relevance to the topic of dyes is that the plants and materials which yield dyes have also become part of the symbol complex.

‘Show your true colours’

We still use colour in this way today, although usually in a secular context and more often than not, we are not even aware of it. We paint political parties red or blue, speak of ‘the grey (indistinguishable) masses’, or label things ‘green’, if they are eco-friendly. Different social groups still follow an unspoken dress-code – business people prefer greys, whites, beige, or dark blue, while Goths wear black. In the West, white is associated with purity, while in India, it is the colour of the dead and of ghosts.

Likewise, traditional costumes also convey much more than meets the uninitiated eye. Every piece of clothing signals a specific message informing those in the know as to the social and marital status of the wearer. This message was woven as pictographic symbols right into the fabric, or colour-coded into the design. Other items of clothing, worn only at certain times, e.g. during a hunting expedition, or for certain rituals, were covered in colour-coded protective symbols to act as spells.

Colour as a status symbol

Some natural colours are exceedingly precious due to the rarity of the substance that yields them. Royal purple is derived from molluscs, and not easy to come by. For a long time, it was a prerogative reserved for royalty to wear this colour.

Nor could an ordinary mortal afford it, given the extraordinary price tag. In Roman times (400AD) a pound of cloth dyed in royal purple costs the equivalent of $20.000! The mollusc was already endangered and very rare. And, as is often the case, the symbolic value drove up demand which in turn catapulted the price into an intergalactic orbit. As a result, the status association was reinforced.

Other colours, such as those obtained from walnut shells, or onion skins, or lichen were more easily available and widely used – despite the time-consuming process. Large amounts of plant materials had to be gathered; the linens and skeins of wool had to be prepared with a mordant to render them more absorbent and a fixative added in to fix the colour so it does not fade too quickly in subsequent washes.

The art of natural dyeing comprises a huge body of knowledge. Sadly, it has been fading ever since the discovery of tar-based pigments at the beginning of the 19th-Century. Natural dyeing methods and the intricate arts of natural textile design are fast becoming another relic of times gone by.

How to dye wool with natural materials

How to dye wool, using natural materials

Preparing the wool:

In order to prepare the yarn, it has to be gathered up into skeins and tied loosely but securely with a piece of yarn of the same material. The first step is to thoroughly wash the skeins. If you want to experiment at home, use natural wool as this is the easiest material to prepare.

All the natural oils in the wool have to be removed, so use a mild flaked natural soap, so that it will dissolve easily in hot water. Rinse the wool with several rinses of hot water to wash out all the soap.

Mordants

The washed yarn is now ready for the mordant bath. Depending on the mordant different shades of colour can be achieved using the same plant material. Commonly used mordants are alum, copper sulphate, iron sulphate, tin or chrome, which are toxic! (Keep out of reach of children!)

Due to this toxicity, some people prefer to do without. But without the mordant or the fixative the dyes are not colour-fast. They will run very easily in the next wash.

To produce a stronger colour one can ‘over-dye’ the skeins, i.e. submit them to several treatments in the dye bath. Only do this with yarn, not with finished pieces of textiles, or knitted jumpers since they will shrink in the hot dye bath.

The most commonly used mordant is Alum, which is another way of saying ‘potassium aluminium sulphate’. Sometimes the wool is subjected to several different mordants to achieve a different shade of colour.

Equipment

Dyeing does not require a whole lot of equipment, but as the mordants are toxic, it should always be done outside.

Tools:

  • large pot
  • stick, or large spoon.
  • Gloves

Set them aside as dedicated utensils for this purpose only.

Never use them for cooking after you have used them for dyeing.

Ingredients:

  • 4 oz aluminium sulphate
  • 1 oz cream of tartar
  • 1 lb wool
  • Water

Method:

To mordant the wool follow this procedure:

Place the aluminium sulphate and the cream of tartar in large pot of cold water. Stir well to dissolve the powders. Once the powders are fully dissolved place the wool into pot and slowly bring the mordant bath to a boil. Turn down the heat and simmer gently for 1 hour. If the wool is very fine and soft, less mordant and a shorter boiling time is sufficient.

After 1 hour, take the pot off the heat, drain and gently squeeze out the liquid. (Wear gloves!) The wool can be dyed right away, or it may be dried and stored for later use.

For the dye bath, it is usually best to use fresh plant materials, but make sure you either pick them from your own garden, or from a place where the plants are in plentiful supply.

Use about 1 lb of plant material per 1 lb of wool skeins.

Place the plant materials into a muslin bag and tie securely.

Place the dye pot on the stove, ¾ full of water.

Add the muslin bag of dye material and submerge it well.

Place the skeins of wool into the pot and slowly bring to the boil, then turn down the heat and allow to simmer for about one hour.

Stir occasionally.

After an hour, turn off the heat, but leave the skeins in the water until it is cold, or when you deem the colour to be just right. Lift out the skeins (a pair of metal tongues will help), and rinse in water of the same temperature.

When the water runs clear, you can hang the skeins up to dry. (A suspended rod will do fine)

Fix a light weight to the bottom of each skein to prevent crinkling.

CAUTION: Mordants are mineral based substances that are highly toxic. Such substances must be handled with due care. Wastes must be discarded properly. Wear protective clothing (especially gloves) and avoid inhaling the fumes. Dyeing should preferably take place outside.

The information given here is for educational purposes only.

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Some common dye plants:

Plant

Part

Colour

Mordant

Madder (Rubia tinctorum)

roots

deep red

alum

Woad (Isatis tinctoria)

leaves

blue,

Somewhat complicated process involving a real chemical cocktail. Woad (Indigo) dyes by oxidation, the trick is to get the dye bath right. Indigo is a fast dye that fades very little in sunlight or in washing.

Weld (Reseda luteola)

whole plant

lemon yellow,

alum

Blueberries (Vaccinium myrtillus)

berries

shades of blue and purple,

alum

Elder (Sambucus nigra)

berries,
leaves

purple and violets
green

alum

Blackberries (Rubus fructicosus)

shoots
berries

black/grey
blue//grey

iron
alum

Bracken (Pteris aquiline)

young shoots
roots

yellow/greens
orange/yellow

alum

Heather (Calluna vulgaris)

shoots

olive/yellow

alum

Fig (Ficus carica)

leaves

lemon yellow

alum

Birch (Betula alba)

leaves

yellow

alum

Privet (Ligustrum ovalifolium)

leaves

yellow

alum

Ragwort (Senecio jacobaea)

whole plant

yellow

alum

Tansy (Tanacetum vulgare)

flowers

yellow

alum

Canadian Golden Rod (Solidago Canadensis)

flowers

golden yellow

chrome

Pine (Pinus sp.)

cones

orange/yellow
browns

alum
iron

Onion (Allium cepa)

skins

golden brown

alum

Walnut (Juglans regia)

shells

pinkish browns

no mordant

Turmeric (Curcuma longa)

rhizome

yellow

no mordant

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